She come by it natural: Dolly Parton and the women who lived her songs
(Large Print)
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Smarsh challenged a typically male vision of the rural working class with her first book, Heartland, starring the bold, hard-luck women who raised her. Now, in She Come by It Natural, originally published in a four-part series for The Journal of Roots Music, No Depression, Smarsh explores the overlooked contributions to social progress by such women -- including those averse to the term "feminism" -- as exemplified by Dolly Parton's life and art. Far beyond the recently resurrected "Jolene" or quintessential "9 to 5," Parton's songs for decades have validated women who go unheard: the poor woman, the pregnant teenager, the struggling mother disparaged as "trailer trash." Parton's broader career -- from singing on the front porch of her family's cabin in the Great Smoky Mountains to achieving stardom in Nashville and Hollywood, from "girl singer" managed by powerful men to leader of a self-made business and philanthropy empire -- offers a springboard to examining the intersections of gender, class, and culture.
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Smarsh, S. (2021). She come by it natural: Dolly Parton and the women who lived her songs. Center Point Large Print edition. Thorndike, Maine, Center Point Large Print.
Chicago / Turabian - Author Date Citation (style guide)Smarsh, Sarah. 2021. She Come By It Natural: Dolly Parton and the Women Who Lived Her Songs. Thorndike, Maine, Center Point Large Print.
Chicago / Turabian - Humanities Citation (style guide)Smarsh, Sarah, She Come By It Natural: Dolly Parton and the Women Who Lived Her Songs. Thorndike, Maine, Center Point Large Print, 2021.
MLA Citation (style guide)Smarsh, Sarah. She Come By It Natural: Dolly Parton and the Women Who Lived Her Songs. Center Point Large Print edition. Thorndike, Maine, Center Point Large Print, 2021.
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Record Information
| Last Sierra Extract Time | Oct 07, 2024 05:05:27 PM |
|---|---|
| Last File Modification Time | Oct 07, 2024 05:14:20 PM |
| Last Grouped Work Modification Time | Oct 17, 2024 01:37:19 AM |
MARC Record
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| 245 | 1 | 0 | |a She come by it natural |h [large print] : |b Dolly Parton and the women who lived her songs / |c Sarah Smarsh. |
| 246 | 3 | 0 | |a Dolly Parton and the women who lived her songs |
| 250 | |a Center Point Large Print edition. | ||
| 264 | 1 | |a Thorndike, Maine : |b Center Point Large Print, |c 2021. | |
| 264 | 4 | |c ©2020 | |
| 300 | |a 206 pages (large print) ; |c 23 cm | ||
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| 500 | |a Regular print version previously published by: Scribner, a division of Simon & Schuster, Inc. | ||
| 505 | 0 | |a Part one. Dolly Parton embodies the working woman's fight -- Part two. Dolly Parton masters the art of leaving -- Part three. Dolly Parton becomes the boss -- Part four. Dolly Parton cements her icon status. | |
| 520 | |a Smarsh challenged a typically male vision of the rural working class with her first book, Heartland, starring the bold, hard-luck women who raised her. Now, in She Come by It Natural, originally published in a four-part series for The Journal of Roots Music, No Depression, Smarsh explores the overlooked contributions to social progress by such women -- including those averse to the term "feminism" -- as exemplified by Dolly Parton's life and art. Far beyond the recently resurrected "Jolene" or quintessential "9 to 5," Parton's songs for decades have validated women who go unheard: the poor woman, the pregnant teenager, the struggling mother disparaged as "trailer trash." Parton's broader career -- from singing on the front porch of her family's cabin in the Great Smoky Mountains to achieving stardom in Nashville and Hollywood, from "girl singer" managed by powerful men to leader of a self-made business and philanthropy empire -- offers a springboard to examining the intersections of gender, class, and culture. | ||
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